Cupid Enters Stage Left

Saoirse Anton

Cupid’s bow is strung, florists are awash with red roses, and primary school students up and down the country are painstakingly gluing heart-shaped confetti to elaborate cards – yes, Valentine’s Day is just around the corner.


I’m sure that, on Friday night, auditoriums will be full of couples contentedly fed by special pre-theatre menus and complimentary chocolates, enjoying a date in honour of St Valentine. While a trip to the theatre can undoubtedly be a romantic evening (provided you don’t go for something like Prometheus Bound or 4.48 Psychosis), and anyone who knows me is well aware that theatre trips are a clear route to my heart, but the romance of theatre does not only unfold on one side of the fourth wall.


From the enduring tales of romance in Japanese Kabuki Theatre, and courtly love of Medieval European stages, to the turbulent relationships of Tennessee Williams’ characters and the chaos that invariably ensues whenever love is invoked by Shakespeare’s pen, love in all of its forms has graced our stages for millennia. As the Bard of Avon himself wrote in As You Like It, “the sight of lovers feedeth those in love,” and romance on our stages is not simply a diet of saccharine coconut-ice representations of love, but the mundane Monday-morning toast type and the unripe-apple sharpness of the unrequited sort too.


My favourite story of love in theatre is the madcap tale of A Midsummer Night’s Dream. As Puck and his motley crew create a theatrical chaos, and the faeries and lovers create a muddle of their own, the realities of theatre and those of love are married in hilarity. Theseus puts it best when he says “the lunatic, the lover and the poet are of imagination all compact.” There are few other places where we can let go of reason in the same way as we do when we tumble into love, but theatre is certainly one of them. The highs, lows, laughs and tears of the theatre, are also those of love.


As theatre holds a mirror up to our society, each and every one of us can find a tale of romance that speaks to our hearts. Whether you want to get lost in a flurry of feathers and heartache with the Moscow City Ballet’s Swan Lake at the Bord Gáis, indulge in a smorgasbord of romantic tales at Scene + Heard festival in Smock Alley, split your sides laughing with a loved one at Dirty Dusting in Visual, Carlow or enjoy some Cole Porter classics as Lili and Fred feud in Kiss Me Kate at the Lyric Theatre, there is a Valentine’s day theatrical treat for everyone.

Saoirse Anton

Saoirse Anton is a writer, critic, theatre-maker, feminist, enthusiast, optimist, opinionated scamp & human being.